God's Own Country
Spring. Yorkshire. Isolated young sheep farmer Johnny Saxby numbs his daily frustrations with binge drinking and casual sex, until the arrival of a Romanian migrant worker Gheorghe, employed for the lambing season, ignites an intense relationship that sets Johnny on a new path.
In case it didn’t court Brokeback Mountain comparisons directly enough with its tale of two young sheep farmers finding love in a hopeless place, God’s Own Country seals the deal with one winkingly quoted shot: a work shirt draped on a wire hanger, poignantly removed from its wearer. Twelve years on, Ang Lee’s film has proven enough of a cultural milestone to merit such affectionate homage; luckily, Francis Lee’s tender, muscular Yorkshire romance has enough of an individual voice to get away with it, depicting a tentative romance between coarse English farm boy Johnny and the Romanian migrant worker Gheorghe who comes to work for the season. Intimacy doesn’t come naturally to a man who has been raised in a household where caring is expressed through work, but rather than over-exerting well-worn clichés about rural homophobia, the film reveals pockets of tolerance in unexpected places.More